Urdu poetry adheres to a number of strict rules that give way to its unique poetic structure. These rules govern the groups of versed lines that are used in every Urdu poem and dictate their meter, rhythm, rhyming pattern, ending words, and the location of the poet’s signature. Despite these strict rules, Urdu poetry has evolved into an incredibly colourful art that manifests itself in a myriad of different forms.
Each of the forms of Urdu poetry has unique characteristics that differentiate them from all the others. Although we won’t be able to cover every single form in this article, we will take a look at some of the more popular ones:
Ghazal. The Ghazal is a collection of many couplets (called “shers”), or pairs of lined verse that follow the rules of bahar, radeef, matla, maqta, and qafiya. Every couplet in a Ghazal should express a single thought or focus on a certain theme in such a way that it has the ability to stand alone. Each couplet in a Ghazal must have the same meter, bahar, the same rhyming pattern, qafiya, and must end in the same words, radeef. Each couplet must also have an opening couplet called a matla. Some Ghazals in Urdu poetry have the pen name of the poet incorporated into the last couplet, which is then called maqta.
Marsiya. A Marsiya is an elegantly written poem whose purpose is to express sorrow over the death of a great man or a deeply-loved person. From a historical perspective, the traditional Marsiya of Urdu poetry was composed to honour the self-sacrifice of Hazrat Imam Husain and his troops at the Battle of Karbala. This type of Marsiya describes how Hazrat Imam Husain and his comrades fought Yazid’s army on Karbala’s plains.
Masnawi. A Masnawi is a long, narrative epic poem that depicts stories of great battles that were fought in the past. They usually include a philosophical or ethical thought. A Masnawi is much longer than a Ghazal and it contains rhyming couplets. However, each of the couplets have a different rhyming pattern and end in different words.
Qasida. A Qasida is very long ballad that is written to praise a king or a nobleman. It sometimes also describes great battles. It is not unusual to find a Qasida that is more than 100 couplets long. Like the Ghazal, the Qasida starts with a rhyming couplet and uses the same qafiya, or rhyming pattern, throughout the poem. The Ghazal as we know it today was originally derived from the Qasida.
Nazm. In Urdu poetry, the word “Nazm” is used to describe a poem that cannot be classified under any particular form. From a literary perspective, each verse in the Nazm is built upon one central theme, as opposed to the theme variation of the couplets in a Ghazal. The verses of a traditional Nazm adhere to the same rhyming pattern, but more modern Nazms may be written in free verse.
As you can see from this short description of some of the different forms of Urdu poetry, the subject is a very intricate and wide-ranging one. It normally takes a dedicated student years and years to master the art of Urdu poetry. But that knowledge shouldn’t stop you from reading and enjoying the fantastic poems of this very special form of art.
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